CfP: The Economy of Images in the Sciences (18th-21st centuries)
In early 2020, the Jeu de Paume (Paris) presented an exhibition entitled “The supermarket of images”, conceived by Peter Szendy. The philosopher developed there ideas he had outlined in his book The Supermarket of the Visible: Toward a General Economy of Images (2017) about the intimate relationship between images and the economy. Basing his approach on Deleuze who was himself inspired by Marx, Szendy reminded us that "money is the flipside of all images". Such an axiom must be read as part of a renewed interest in the financial dimension of art history, of the history of photography, and of visual studies. Yet this approach seems to have been euphemised in the analysis of images connected to scientific practices, though it is currently an active area of research. This is all the more striking as the production of such visual materials can prove to be very costly in terms of time and of human, technical, and financial resources. A good example is the production of ...