CfP: Stories of Illness / Disability in Literature and Comics. Intersections of the Medical, the Personal, and the Cultural

From October 27-28, 2017, this two-day academic conference at the Berlin Museum of Medical History at the Charité examines the ways in which knowledge and experience of illness and disability circulate within the realms of medicine, art, the personal and the cultural. We invite papers that address this question from a variety of different perspectives, including literary scholarship, comics studies, media studies, disability studies, and health humanities/ sociology/ geography.

Keynote speaker: Leigh Gilmore (Wellesley College), Author of The Limits of Autobiography: Trauma and Testimony (2001) and Tainted Witness: Why we doubt what women say about their lives (2017).

The PathoGraphics research project at Freie Universität Berlin invites as yet unpublished papers on comics and/ or literary texts (both fictional and auto­biographical) addressing one (or more) of the following questions:
Shared Spaces: The Transformative Relations between Literature/ Comics and Medicine/ Science.
How do scientific/ medical professionals use comics and/ or literature to engage the public and impart new research or public health measures? How do narrative and graphic illness stories influence medical and scientific concepts of health and disease? How do these diverse spaces of experience and knowledge interact with each other?
Inner Landscapes: The Aesthetics of Representing the Lived Experience of Illness.
What aesthetic strategies do literary works and comics use to reveal the inner perspective of living with illness/ disability/ medical treatment? How do narratives represent emotional situations of invisible suffering, such as psychic disorders, trauma, involuntary memories and flash­backs, but also autoimmune diseases or cancer? Literature has devel­oped aesthetic techniques such as inner monologue, stream of consciousness, and metaphors; do comics employ comparable or different aesthetic strategies?
Timelines, Time Spirals, Time Vectors: Communicating Acute Illness, Chronic Disease, and Terminal Illness.
In On Being Ill, Virginia Woolf characterizes periods of illness as having a time of their own, “slowing down” life, revealing humans’ finiteness and inspiring unprece­dented creativity. How do other literary and graphic illness narratives reflect the percep­tion of time during illness? How is the disruption of acute illness or the caesura brought on by a new diagnosis represented? Do comics and literature employ different means of representing life with a chronic con­dition?
Confessing, Surviving, Normalizing: Constructing the Self in Illness Narratives.
What kind of subject is produced in contemporary illness narratives that rely on the confessional mode? As Michel Foucault has argued, such a mode is double-edged: it presumes a powerful speaking subject who is simultaneously subjected to the very institutions s/he addresses, ranging from healthcare to patient support groups and including the audiences of illness narratives. What kind of identity is enabled or foreclosed by concepts such as “sur­vivorship”? What avatars are created in illness comics – do they differ from protagonists in written texts? Do literature and comics take part in or go beyond a process of normalization that is entailed in the confessional mode and the term “compliant patient”?
The Politics of Storying Illness: Going beyond the Individual.
Can illness narratives give voice to the experience of entire communities or comment on national healthcare systems (and their potential flaws)? Are there texts and comics that offer alternatives to narratives that focus on a single protagonist – if so, how do they do it? To what extent are illness narratives in literature and comics emancipatory and subversive, and to what extent do they tie into contemporary endeavors in bio-medical self-management, prophylaxis, and prevention?
For each panel, we welcome either theoretical reflections on or close readings of literary texts and/ or comics; comparative papers on both artistic media are especially welcome. Accepted participants will receive funding to cover travel and accommodation expenses. Selected papers will be considered for publication in an edited volume on the subject of patho/graphics, i.e. literature and comics on illness/ disability.
Paper proposals should include a title, a 300-word abstract (max.) for a 20-minute presen­tation, and a short biographical note with institutional affiliation (where appropriate).