Osiris Vol. 28, No. 1, 01/01/2013 is now available online
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Osiris
Vol. 28, No. 1,
January 2013 Music, Sound, and the Laboratory from
1750–1980
Published by:
The University of Chicago Press on behalf of The History
of Science
Society
Acknowledgments
DOI:
10.1086/671429
Osiris
Vol. 28, No. 1:
iv.
------------------------------------------------------------------------
Introduction
Music, Sound, and the Laboratory from 1750 to
1980
Alexandra Hui,
Julia Kursell, and Myles W. Jackson
DOI:
10.1086/671360
Osiris
Vol. 28, No. 1:
1-11.
------------------------------------------------------------------------
Techniques of
Evidence
Thomas Young’s
Musical Optics: Translating Sound into Light
Peter Pesic
DOI:
10.1086/671361
Osiris
Vol. 28, No. 1:
15-39.
The Electrical
Imagination: Sound Analogies, Equivalent Circuits, and
the Rise of
Electroacoustics, 1863–1939
Roland Wittje
DOI:
10.1086/671362
Osiris
Vol. 28, No. 1:
40-63.
The Aesthetics
of the Signal: Noise Research in Long-Wave Radio
Communications
Daniel Gethmann
DOI:
10.1086/671363
Osiris
Vol. 28, No. 1:
64-79.
Listening to the
Cold War: The Nuclear Test Ban Negotiations,
Seismology, and
Psychoacoustics, 1958–1963
Axel Volmar
DOI:
10.1086/671364
Osiris
Vol. 28, No. 1:
80-102.
------------------------------------------------------------------------
Phenomenotechnique of Sound
Mineral Sound or
Missing Fundamental: Cultural History as Signal
Analysis
Bernhard Siegert
DOI:
10.1086/671365
Osiris
Vol. 28, No. 1:
105-118.
Changeable Ears:
Ernst Mach’s and Max Planck’s Studies of Accommodation
in Hearing
Alexandra Hui
DOI:
10.1086/671366
Osiris
Vol. 28, No. 1:
119-145.
The Audiovisual
Field in Bruce Nauman’s Videos
Armin Schäfer
DOI:
10.1086/671367
Osiris
Vol. 28, No. 1:
146-161.
Camera Silenta:
Time Experiments, Media Networks, and the Experience of
Organlessness
Henning
Schmidgen
DOI:
10.1086/671368
Osiris
Vol. 28, No. 1:
162-188.
------------------------------------------------------------------------
Circulation of
Sound Objects
Experiments on
Tone Color in Music and Acoustics: Helmholtz, Schoenberg,
and
Klangfarbenmelodie
Julia Kursell
DOI:
10.1086/671377
Osiris
Vol. 28, No. 1:
191-211.
Craftsmen-Turned-Scientists? The Circulation of Explicit and Working
Knowledge in
Musical-Instrument Making, 1880–1960
Sonja Petersen
DOI:
10.1086/671378
Osiris
Vol. 28, No. 1:
212-231.
Listening to the
Piano Pedal: Acoustics and Pedagogy in Late
Nineteenth-Century Contexts
Elfrieda Hiebert
DOI:
10.1086/671379
Osiris
Vol. 28, No. 1:
232-253.
“A Towering
Virtue of Necessity”: Interdisciplinarity and the Rise of
Computer Music
at Vietnam-Era Stanford
Cyrus C. M. Mody
and Andrew J. Nelson
DOI:
10.1086/671380
Osiris
Vol. 28, No. 1:
254-277.
Toward a New
Organology: Instruments of Music and Science
John Tresch and
Emily I. Dolan
DOI:
10.1086/671381
Osiris
Vol. 28, No. 1:
278-298.
Notes on
Contributors
DOI:
10.1086/671472
Osiris
Vol. 28, No. 1:
299-300.
Index
DOI:
10.1086/673926
Osiris
Vol. 28, No. 1:
301-303.
------------------------------------------------------------------------
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