Osiris Vol. 28, No. 1, 01/01/2013 is now available online



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   The University of Chicago Press is happy to notify you that the new
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   Osiris
   Vol. 28, No. 1, January 2013 Music, Sound, and the Laboratory from
   1750–1980

   Published by: The University of Chicago Press on behalf of The History
   of Science Society


   Acknowledgments

   DOI: 10.1086/671429
   Osiris
   Vol. 28, No. 1: iv.


   ------------------------------------------------------------------------
   Introduction

   Music, Sound, and the Laboratory from 1750 to 1980

   Alexandra Hui, Julia Kursell, and Myles W. Jackson
   DOI: 10.1086/671360
   Osiris
   Vol. 28, No. 1: 1-11.


   ------------------------------------------------------------------------
   Techniques of Evidence

   Thomas Young’s Musical Optics: Translating Sound into Light

   Peter Pesic
   DOI: 10.1086/671361
   Osiris
   Vol. 28, No. 1: 15-39.


   The Electrical Imagination: Sound Analogies, Equivalent Circuits, and
   the Rise of Electroacoustics, 1863–1939

   Roland Wittje
   DOI: 10.1086/671362
   Osiris
   Vol. 28, No. 1: 40-63.


   The Aesthetics of the Signal: Noise Research in Long-Wave Radio
   Communications

   Daniel Gethmann
   DOI: 10.1086/671363
   Osiris
   Vol. 28, No. 1: 64-79.


   Listening to the Cold War: The Nuclear Test Ban Negotiations,
   Seismology, and Psychoacoustics, 1958–1963

   Axel Volmar
   DOI: 10.1086/671364
   Osiris
   Vol. 28, No. 1: 80-102.


   ------------------------------------------------------------------------
   Phenomenotechnique of Sound

   Mineral Sound or Missing Fundamental: Cultural History as Signal
   Analysis

   Bernhard Siegert
   DOI: 10.1086/671365
   Osiris
   Vol. 28, No. 1: 105-118.


   Changeable Ears: Ernst Mach’s and Max Planck’s Studies of Accommodation
   in Hearing

   Alexandra Hui
   DOI: 10.1086/671366
   Osiris
   Vol. 28, No. 1: 119-145.


   The Audiovisual Field in Bruce Nauman’s Videos

   Armin Schäfer
   DOI: 10.1086/671367
   Osiris
   Vol. 28, No. 1: 146-161.


   Camera Silenta: Time Experiments, Media Networks, and the Experience of
   Organlessness

   Henning Schmidgen
   DOI: 10.1086/671368
   Osiris
   Vol. 28, No. 1: 162-188.


   ------------------------------------------------------------------------
   Circulation of Sound Objects

   Experiments on Tone Color in Music and Acoustics: Helmholtz, Schoenberg,
   and Klangfarbenmelodie

   Julia Kursell
   DOI: 10.1086/671377
   Osiris
   Vol. 28, No. 1: 191-211.


   Craftsmen-Turned-Scientists? The Circulation of Explicit and Working
   Knowledge in Musical-Instrument Making, 1880–1960

   Sonja Petersen
   DOI: 10.1086/671378
   Osiris
   Vol. 28, No. 1: 212-231.


   Listening to the Piano Pedal: Acoustics and Pedagogy in Late
   Nineteenth-Century Contexts

   Elfrieda Hiebert
   DOI: 10.1086/671379
   Osiris
   Vol. 28, No. 1: 232-253.


   “A Towering Virtue of Necessity”: Interdisciplinarity and the Rise of
   Computer Music at Vietnam-Era Stanford

   Cyrus C. M. Mody and Andrew J. Nelson
   DOI: 10.1086/671380
   Osiris
   Vol. 28, No. 1: 254-277.


   Toward a New Organology: Instruments of Music and Science

   John Tresch and Emily I. Dolan
   DOI: 10.1086/671381
   Osiris
   Vol. 28, No. 1: 278-298.


   Notes on Contributors

   DOI: 10.1086/671472
   Osiris
   Vol. 28, No. 1: 299-300.


   Index

   DOI: 10.1086/673926
   Osiris
   Vol. 28, No. 1: 301-303.

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