Call for Proposals for an Issue of Performance Research: On Medicine




 Call for Proposals for an Issue of Performance Research: On Medicine
 Performance Research 19.4 (August 2014) 'On Medicine'

Proposal Deadline: 20 January 2014

Issue Editors:

Martin O'Brien (University of Reading) and Gianna Bouchard (Anglia Ruskin University)

The aim of this issue of Performance Research is to explore the complex
and vibrant relationship between medicine and performance. Through a
necessarily interdisciplinary approach, it seeks to interrogate various
modes of performance practice that engage with the histories, practices
and discourse of medicine. In reflecting on medical contexts and
approaches, this issue will address the potential of performance to
intervene in and extend vital debates around medical knowledge and
practice, to enhance its understanding and to offer a site of resistance
and challenge to its influence and dominance.

There is a growing body of work emerging that is concerned with the
interface between art and science, but this issue of Performance
Research specifically seeks to deepen understandings about the
connections, dialogues and dissonances between performance and medicine.
'On Medicine' will attempt to examine these points of intersection
through an address to specific themes, which are: the medicalized body;
biopolitics and ethics; and the histories and practices of medicine.



Key themes and questions


The Medicalized Body:
In what ways have performance practices used the medicalization of the
body in order to examine subjectivity, personal agency and embodied
knowledge in relation to biomedicine?
 
How have medical practices been appropriated for performance?
 In what ways have performance practices managed to challenge and resist
ideologies and representations of illness and disability?


Biopolitics and Ethics:
 How have artistic practices intervened in dominant ideological
constructions and bio-ethical debates within the discourses of medicine
and the body?
 By what means does contemporary performance expose the politics of
health and illness?

 Histories and Practices of Medicine:
 What new perspectives can be offered on the presentation and
understanding of the body in performance when considered in relation to
the history and practices of medicine?
 What are the intersections between discourses and practices within
medical and art histories, particularly in relation to the ways in which
bodies have been represented and displayed?
 In what ways have concerns such as subjectivity, representation,
identity and body knowledge been examined through performance?
 

Possible topics include:
 
Art and illness
Autopathography and illness narratives
Wounds, injuries and scars
Biopolitics
Histories of medical display and exhibition
Current medical practice and performance
Health, the athletic body and well-being
Medical instruments and technologies
Medicalized pain and suffering in performance
Surgery, body-alteration and -modification in performance
Healing or treating the body in or through performance
Temporalities of illness and endurance
Disability
Use of biomedical practices in art
Ageing
Medical imaging and representation



'On Medicine' invites artists, practitioners and theorists to submit
proposals for critical articles, documents, interviews, artist's pages
or other forms of contribution that explore medical practices and
histories in relation to the contexts and discourses of performance,
performance-making and artwork.



SCHEDULE



Proposals: 20 January 2014



First drafts:  March 2014



Publication date: August 2014



ALL proposals, submissions and general enquiries should be sent direct
to:



Rosa Bekkenkamp



Issue-related enquiries should be directed to the issue editors:



Gianna Bouchard:



Martin O'Brien:



General Guidelines for Submissions



Proposals will be accepted by e-mail (MS-Word or RTF). Proposals should
not exceed one A4 side. Please DO NOT send images electronically without
prior agreement.

Please note that submission of a proposal will be taken to imply that it
presents original, unpublished work not under consideration for
publication elsewhere. By submitting a manuscript, the author(s)
agree(s) that the exclusive rights to reproduce and distribute the
article have been given to Performance Research.